His performances in Bharathi Kannamma, Vetri Kodi Kattu and Winner have brought him laurels and accolades from all quarters. However, recently, he has transitioned his comedy to suit urban audiences too, playing more varied characters. These roles involve heavy use of slapstick and puns, which has lead him to being typecast. In most movies, he plays a simpleton with good intentions but lands in trouble because of the circumstances or the eccentricities of the people he comes across. His accent which resembles the Tamil spoken in southern Tamil Nadu landed him roles in Tamil movies with a village background. Starting as a sidekick to the famed Goundamani-Senthil comedy duo, he rose to prominence after his role in Kadhalan.
#Imsai arasan 23am pulikesi karadi scene pictures movie#
Post-2000, he has dominated the movie scene in Kollywood, along with Vivek (another comedian).īorn in the southern city of Madurai, Vadivelu is nicknamed Vaigai puyal (the Vaigai storm, after the river Vaigai, which flows through the city). If my films somehow helps people find a solution to these issues, there’s nothing more I can ask for.Vadivelu (sometimes Vadivel) is a leading comedian in the Tamil movie industry. I just want these to be reminders of problems we conveniently forget in our busy lives. I don't place these elements in my films expecting them to create sensation and be the talk of the town. My films talk about relatable issues that are intertwined with our daily life. During my time there, I learnt that people will celebrate any art form that addresses current issues in an interesting manner. I was a political cartoonist with a famous Tamil magazine before I became a filmmaker. The downside of working with such a brilliant comedian is that the other actors keep bursting into laughter during the shoot, and the number of retakes keeps increasing. I don't think any other actor could have played this role as Vadivelu did. However, evidence from museums shows that they were, in fact, very normal-looking, with some even having a pot belly. Imsai Arasan 23am Pulikesi - Vadivel, Nassar, Manorama, Monica, Tejashree Aval Appadithaan (1978) - Kamal Haasan, Rajnikanth, Sri Priya Thiruvilayadal Arambam (2006) - Dhanush, Shriya, Prakash Raj Mr. Traditionally, period films feature kings as alpha males, with a muscular physique. In fact, I wrote the script with him in mind. As he has a theatre background, the role was a cakewalk for him. It also helps to have someone like Vadivelu sir who adds something special to the script and elevates the scene. This is why my films haven't faced backlash, despite the many references to real issues and people. I always ensure that this balance is maintained. That’s a lesson I learned from watching Chaplin and NS Krishnan. I went a step ahead and mentioned that the tournament is sponsored by Akkamala and Kapsi, which are rehashed names of famous soft drink brands.Ī good satire should make the person being caricatured on screen to laugh along with the audience. I found this to be hilarious and used an exaggerated version of this with people holding signs like, " Sirumoolaiyai pithuvidu".
Namba aalunga Tendulkar ke advice pannuvanga. Whenever I see cricket matches, I see spectators carrying banners with strange text.
If this is successful, we will introduce fights based on religion in the future." I added many contemporary elements to make the audience have a personal connect with the scene. This is why, during his introductory speech, Pulikecei says, "You need not fight on the streets and cause damage to public properties. You could replace caste with aspects like language and religion, and it would still feel the same. The jaadhi sandai maidhanam is just a metaphor. I designed the name of the castes to sound similar (like, Naaga padhani and Naagappadhani) to denote that we are all the same but keep looking for opportunities to establish superiority. We created a ground for this scene and shot it there. Shankar sir got really excited after reading this scene and insisted that I visualise it in the best possible way. That’s how I came up with the idea of ' jaadhi sandai maidhanam'. I wanted to place a scene in Imsai Arasan 23am Pulikecei to show that the ones in power benefit from keeping casteism alive. It is so powerful that it determines the vote bank of the country. Divisions based on many factors has always been a part of human society, and of all things that separate us, caste is foremost among them. “Even the most rational among us cling on to some superstitions.
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